shows
The Panel Farce
2018 - 2022
Farsa do Panelada brings a scathing critique: to financial capitalism and the inequalities it generates; to the privileges of an elite that concentrates wealth and evades taxes in our country; and the Brazilian political system, deeply corrupt and based on demagogue and selfish practices. Written over 20 years ago by the playwright from Ceará José Mapurunga, this play has never been as current as it is now.
DIRECTION
Robson Cavalcante
TEXTO
José Mapurunga
The Farce of the Cuviteiro
2018 - 2022
A Farsa do Cuviteiro is a show that combines classics from western theater and popular culture, such as Mandrágora by Machiavelli, O Avarento by Molière, Pavão Misterioso by José Camelo de Melo Rezende, Brozogó, Militão e o Diabo by Patativa do Assaré and The Adventures of Pedro Malazartes in the public domain. Structured along the lines of commedia dell`arte, the show also features well-executed live music that conveys the joy of a theater made for the street.
DIRECTION
Robson Cavalcante
Imaginary
2018 - 2022
Composed of 14 narrative songs that translate the joy of a playful theater performed on the street, Imaginário – A Odisseia de um Guerreiro Brincante is a show for all ages that offers the public ludic images that take us to a world of dreams populated by signs. of our popular culture and by classic characters such as Don Quixote by Cervantes. _cc781905-5cde-3194 -bb3b-136bad5cf58d_ _cc781905 -5cde-3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194- bb3b-136bad5cf58d_ _cc781905- 5cde-3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194-bb3b- 136bad5cf58d_ _cc781905-5cde- 3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194 -bb3b-136bad5cf58d_ _cc781905 -5cde-3194-bb3b-136bad5cf58d_ _cc781905-5 cde-3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194-bb3b -136bad5cf58d_
DIRECTION
Robson Cavalcante
Poetry Removed in
G major
2018 - 2022
Poesia Remoída em Sol Maior is a scenic-poetic show composed of poems and authorial songs that, when said and sung, at times intimate and bring you closer, at times they expand and make you dance. Although each recited poem is a microcosm, the music-epilogue that concludes it, in the same tune, was aligned with the following, becoming a prologue and allowing the spectator to perceive a certain narrative unity.
DIRECTION
Robson Cavalcante